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Femme Fatale isn’t an outright triumph. Britney’s natural voice, thanks to her Southern roots, has an appealing, homespun twang.
Here, it is so distorted by auto-tune and other pieces of studio trickery that its distinctive, raspy quality has all but vanished. Spears might not be able to showboat in the manner of Aguilera or Beyoncé, but she has a stronger vocal signature than she displays here. Some of the lyrics, too, are embarrassing. In trying to compete with pop’s other good-girls-gone-bad, Britney delivers some cringe-inducing double entendres.
‘If I said I wanted your body, would you hold it against me?’ she coos on Hold It Against Me. Groucho Marx and the Bellamy Brothers have a lot to answer for.
But there are plenty of positives. Recent single Till The World Ends is catchy and infectious, its syncopated hooks typical of its co-writer, Ke$ha.
Elsewhere, Madonna’s Confessions On A Dance Floor provides an obvious template for the synth-driven Inside Out.
Considering that Spears has declared herself a huge fan of the Black Eyed Peas, Will.I.Am’s Big Fat Bass is a big fat disappointment. Opening with the title phrase repeated over and over again, it is a characterless, Euro-influenced club workout that even her producer’s animated rap fails to salvage.
How I Roll and Trip To Your Heart, both produced by Bloodshy, are better — the first a stripped-down techno number, the second a swooning electro-pop track — while the Fraser T. Smith-produced Trouble For Me also stands out.
Just where this leaves Britney remains to be seen. Her singles no longer storm into the upper reaches of the charts, but she is a trouper who can still fill the world’s biggest arenas despite those lingering doubts as to the authenticity of her live vocals.
With so many of her original peers having stumbled, Femme Fatale at least keeps Spears in the reckoning. In heading so determinedly for the dance floor, she has freshened up her sound. The fact that she has also rekindled some of her old pizzazz is a bonus.
BORN THIS WAY
WRITTEN BY: LADY GAGA
PRODUCED BY: LADY GAGA, FERNANDO GARIBAY, DJ WHITE SHADOW
MIXED AND ENGINEERED BY: DAVID RUSSEL
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At first, I was expecting some crazy ass dance beat..it wasn't what i expected, BUT
I will say this,
no one lied when they said it was an anthem cause YES! it is a fucking anthem, it has anthem written all over it. Her vocals are fucking amazing. It's so GAY. it has HOMO written all over it. Haha, but it's doesn't mean others people can't listen to it.. the song is all about being yourself, and loving who you are and who you love. It reminds me of a people who just came out of the closet, walking down on the club , on a sunny day! It sounds happy, upbeat, light, happiness and peace but honestly, this song is going to make you either HATE it or LOVE it! Its something where you hear it and its like :
WTF IS THIS
or
OMG THIS IS SO CUTE
I already KNOW this song is going to make gaga on a whole other level cause it's different and weird! At first I was a bit put off by the obvious Madonna references, but then I just thought, fuck it. You know what? Born This Way is a fun song with a great beats and empowering message. At least Gaga fucking wrote the song and she wanted it to be meaningful, at least Gaga is evolving and is a TRUE artist. Haters can hate, but Gaga is still #1 in my book. She really is paying tribute to her fans in the opening "put your paws up". Then this captivating music follows that draws you right into the great vibe of the song. This song will certainly draw more listeners cause it has this magnetic good energy. It doesn't really matter if it is reminiscent of Madonna's big hits. Why is it such a big deal anyway? All musicians get inspired from each other and POP music always been recycled. It just happens that Madonna's songs are big hits and people remember them. So, for me, Born This Way is the one of the best single in 2011.
4.5/5